On New Year’s Day in 2013, Kris Allen and his then-pregnant wife Katy were in a head-on collision that left the singer/songwriter/guitarist with a career-threatening shattered wrist. In the two years that followed, he underwent three surgeries, re-learned how to play guitar (despite regaining just 30 percent movement in the damaged wrist), recorded his third album, and toured relentlessly—including a two-month-long stint that started just one week after his accident. The American Idol season 8 winner ultimately retreated from the whirlwind and immersed himself in a songwriting spell that yielded more than 70 new tracks. Culled from that collection of songs, Allen’s fourth full-length album Letting You In finds the Nashville-based artist delivering his most intimate and dynamic work to date.
The follow-up to 2014’s Horizons, Letting You In builds off the soulful musicality Allen first showcased with his platinum-selling 2009 single “Live Like We’re Dying.” But with its sophisticated songcraft and vulnerable lyrics, Letting You In reaches a new depth of feeling that infuses each track with undeniable emotional power. “Looking back, I think I tried to put off dealing with my feelings around the accident for as long as I could,” says Allen. “But in the past year I’ve realized how much it all affected me, and that definitely came out in the writing of this album.”
Allen recorded in Nashville with producers Konrad Snyder (Mat Kearney, Owl City, Milo Greene), Ian Fitchuk (James Bay, Drew Holcomb & the Neighbors, Griffin House), and Grammy Award-winner Brown Bannister (Amy Grant, Kenny Rogers, Steven Curtis Chapman) and made a point of exploring both the bright and dark elements of everyday life. “There’s almost two different sides to the record,” Allen notes. “On one hand you’ve got these happy love songs, because that’s my life—I’m a happily married guy, everything with my family’s really great. But internally I was going through some things and trying to figure out my life, and the rest of the album very much came from that.”
The latter category of songs includes “My Time Will Come,” whose lyrics reflect on Allen’s struggles with self-doubt (“Lately I’ve been making friends with the doubts in my head/Hanging on every word that they’ve said”). But with its lilting guitar melodies and soaring vocals, the song ultimately emerges as an anthem of gritty perseverance. On “If We Keep Doing Nothing,” Allen offers a poignant look outward. Written in the wake of the mass shooting at Oregon’s Umpqua Community College, the song’s throwback-soul arrangement of stark guitar tones and stirring organ lines provide a powerful backdrop for a determined meditation on gun violence.
While Letting You In takes on its share of weighty matters, the album radiates a hopeful spirit that’s got everything to do with Allen’s easy warmth and open-heartedness as a songwriter and vocalist. One of Letting You In’s most uplifting tracks, “Way Up High” blends cascading guitar lines, breezy melodies, and slice-of-life storytelling that came to Allen while flying back home after spending days away from his family. “Usually when I’m writing a song I start with the music, but with ‘Way Up High’ the lyrics all came to me in poem form,” he says. “I just tried to get down all these thoughts that were rolling through my head at the time, in a very stream-of-consciousness sort of way, and it all felt really natural.” And among the love songs that make up much of Letting You In is “Waves,” whose gospel-inspired harmonies and spirited piano work perfectly together in capturing the tenderness of Allen’s opposites-attract serenade to his wife.
Allen first picked up the guitar at age 13, after spending much of his childhood singing in church in his hometown of Jacksonville, Arkansas. Writing his first song in his late teens, he self-released an album at age 22 and auditioned for the eighth season of American Idol the following year. Several months after his Idol victory Allen put out his self-titled major label debut, with lead single “Live Like We’re Dying” climbing to the top 20 on the Billboard Hot 100. In addition to releasing his sophomore album Thank You Camellia in 2012, he spent the next several years sharing stages with such artists as Maroon 5 and Keith Urban, as well as landing Billboard, Teen Choice and People’s Choice Awards nominations.
In the aftermath of his accident, Allen devoted himself to relearning guitar, adjusting his technique to adapt to the lack of movement in his wrist. “At first I thought I’d never be able to play again,” he recalls. “But once I got my cast off, I spent more time playing than I ever had in my life. Through all that I realized that I shouldn’t take my craft for granted, so I really focused on developing it and becoming even stronger as a guitar player than I ever was before.”
Along with rebuilding his guitar skills, Allen revamped his approach to songwriting and soon saw a resurgence in his creativity. “When I’ve made albums in the past, there’ve always been other artists and songwriters that I was using as reference points,” says Allen, who names Stevie Ray Vaughan and Stevie Wonder among his earliest inspirations. “But this time I shut myself off from all that, and just focused on making music that was completely true to me.”
That process proved both thrilling and daunting, but in the end instilled him with a new sense of purpose as an artist. “When I first started making music, it was very much coming from a place of ‘Are people gonna like this?’” he recalls. “But as I was making this album, it really became more about being genuine and writing songs that feel good. My hope is that if those songs mean a lot to me, they’ll mean a lot to the people listening, and that they’ll get some of that hopeful feeling too.”
Not too long after the release of Letting You In, Allen delivered his first full-length Christmas album, Somethin’ About Christmas, which is a delightful combination of originals and Christmas classics. Some of the Christmas classics that may ring a bell include “Jingle Bells” (featuring former contestant of “The Voice”, Caroline Glaser) and “Winter Wonderland” (featuring Jillian Edwards), just to name a few. The originals on this album, such as “Somethin’ About Christmas Morning” (featuring Gabe Dixon) and “Peace and Happiness”, provide a jazzy and joyful feel, which is what Allen was wanting to create. “I genuinely love Christmas music and how it can transport you to such a joyful and fun place,” he says. “I think for a lot of people, it is those traditions in Christmas that they love, and I wanted my album ”Somethin’ About Christmas” to become a new tradition for people to enjoy this time of year.” For fans looking to get in the Christmas spirit, Allen has decided to hit the road this winter for a Christmas tour.
Sawyer is a Nashville based duo comprised of Kel Taylor and Emma Harvey that can be described in no other way than “Indie Sparkle Pop.” With comparisons to Lucy Rose, COIN, and HAIM they have built a resonance that can’t be forgotten. Indie Shuffle has described their music as “impeccably crafted” and The Wild Honey Pie has proclaimed, “Sawyer promises to be a part of the next wave.” Since their official formation in 2014 the two girls have amassed their vastly growing fan base for being quite “normal.” Even in their normalcy, the Harvard Crimson has deemed them as “airy, nuanced, and utterly aflame.” Their down to earth identities and endearing reliability is seen through every post, tweet, and musical note. The Nashville Scene has praised them saying their, “straightforward lyrics and charming guitar riffs put Sawyer in the same class as [your] favorite indie-pop aficionados The Staves.” With over 130 shows under their belt, 2.2 Million streams on Spotify, and multiple sold out shows in the Pacific Northwest they’re just at the beginning of their fandom. Emma Harvey and Kel Taylor are relatable rock stars ready to show the world the magic of Indie Sparkle Pop.