How do you feel when someone starts playing on their phone while you’re talking to them? It’s a dark moment. It’s a seemingly small, yet significant moment when we realize we’ve got work to do as both individuals, and as a species.
BRETT NEWSKI’s fourth studio album Don’t Let the Bastards Get you Down is a call to arms against whatever destructive forces we may find ourselves battling, from our individual struggles with toxic relationships, low self esteem, loneliness, and apathy to the more global challenges facing us in 2020: The erosion of face-to-face human connection, the breakdown of the proverbial village, the destruction of the planet, and the myriad ways in which our social media addictions amplify these problems. Depression and anxiety are at all time highs, with many, if not most of us, struggling to preserve our optimism.
So how do we regain control and stay hopeful in the face of these challenges? Perhaps it’s less screen time. Perhaps it’s changing the way we approach our tiny pocket TVs. Perhaps it’s discovering or recommitting to our passions. Perhaps it’s getting our hands dirty in pursuit of real solutions to our problems (instead of just complaining online). Perhaps Don’t Let the Bastards Get You Down can shed some positive insight.
In Last Dance (cowritten with Grammy nominated songwriter Pat Macdonald, ‘Future’s So Bright I Gotta Wear Shades’), Newski lays bare the highly relatable challenge of trying to stay informed and engaged while simultaneously staying afloat psychologically: “I ain’t trying to build the ark, I just really wanna learn how to swim / Thru a sea of plastic bottles, all the refuse, the mess we are in.” In Grow Your Garden, Newski issues a wake-up call from the hypnotic, numbing effects of living with our eyes glued to our screens: “If I was the dirt beneath the sneakers on your soulless feet / I’d nudge you far from the mirage so you could see the water”.
In Lousy T-Shirt, Newski describes the traps of social comparison in these “tiny TV times”, in which we so often compare ourselves to the “greatest hits” of others’ lives. (“I ain’t making any headlines / It’s a failures parade / I drove all the way to Hollywood and all I got’s this lousy t-shirt.”) He doubles down on this theme in Buy Me a Soul, singing “Step out from behind these little screens that rule our lives / I’m sick of highlights / Cause we’re an empty shell and we’re on earth but we’re in hell / Can anybody hear me? / Is this a permanent bad dream? Or is it too much reality?”
What could topically threaten to amount to “too much reality” for the listener is buoyed by Newski and collaborator Spatola’s signature blend of largely up-tempo, guitar-driven alternative with splashes of what they describe as “Geek Rock”, “Happy Punk”, and “Diet Grunge”. The band has had a busy few years, playing alongside acts like PIXIES, Courtney Barnett, Violent Femmes, Better than Ezra and Manchester Orchestra, and will be touring extensively in 2020 in support of this latest release.
Eamon McGrath
With over 300 songs written and recorded, album of the year credits, and multiple continent-spanning tours, Eamon McGrath has developed a body of work that could rival that of any artist 15 years his senior. This is the house that punk rock built: a fierce DIY attitude and constantly-changing style has guided McGrath across the globe on countless tours, stories from which have been cultivated in innumerable journal entries and song lyrics. He is based in Toronto, Ontario.
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